KILL THE ROBOT
Kill The Robot DARK LAB RECORDINGS
The son of a Bee Gee goes space rock.
From Sean Lennon’s work with Les Claypool to Simon Collins’s eMolecule, rock star offspring are no strangers to Prog’s pages. Kill The Robot’s Stephen Gibb, son of Bee Gee Barry, is the latest, arriving with the expansive soundscapes of this debut album, and a point to prove. Opener Mothership is a classily produced space-rock number. Gibb’s lyrics about an alien crash landing on Earth effortlessly coalesce with ethereal atmospheres, hypnotic refrains and Eastern scales, which underpin rumbling percussion, hammered acoustic guitars and a whiff of Tool. However, there are moments when Gibb’s pop-minded DNA takes over and the needles shifts in the wrong direction: though not bad songs, Western Shores and See The World have more in common with Coldplay and Snow Patrol than the prog pantheon.