Tom Scholz
The Boston musician locked himself in his basement and came up with one of the most stunning albums — and guitar tones — of the past 45 years.
BOSTON ARE OFTEN maligned as “corporate rock,” an ironic categorization for a band whose debut album was conceived largely by one guy working alone in his wood-paneled basement after getting off work as a product design engineer for Polaroid. That guy, guitarist and songwriter Tom Scholz, not only managed to come up with Boston’s self-titled, multi-Platinum-selling 1976 debut album — he also revolutionized rock-guitar tone using little more than a goldtop 1968 Les Paul with a “neck like a log” that he recorded at extremely low volume due to his less-than-adequate studio environs.