GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
7 MIN READ TIME

JAZZ-ROCK

THE CROSSROADS

Steely Dan’s Mu Chord

This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the ‘nines’, as he explores their trademark chord voicings.

ABILITY RATING

Info https://bit.ly/4ekuh7c

Key Various

Tempo 120bpm

Moderate ✪ ✪ ✪ ✪ ✪

Will improve your…

✓ Application of chord voicings

✓ Harmonic awareness

✓ Fretboard fluency

If any band encapsulates the spirt of these Crossroads articles, then it’s the legendary American group Steely Dan. Effortlessly blending rock, pop, blues, jazz, country, folk and almost any other imaginable popular musical idiom, the compositional style of keyboard player and vocalist Donald Fagin, alongside his writing partner and guitarist Walter Becker had it all. Combine the pair’s considerable creative talents with an almost unfathomable A-list of the best of the best session musicians, literally queuing up to play on their recordings, with phenomenal production and you can see why their music has stood the test of time. And with over 40 million albums sold and an induction into the Rock & Roll Hall of Fame we see two further indications of their significance and popularity.

TECHNIQUE FOCUS

Posture And Strap Height

It’s a great idea to continually keep a check on your posture, and this is particularly important when approaching any techniques that require dextrous finger positioning coupled with extreme stretches. Generally speaking, it’s best to adopt a fretting-hand positioning that will allow you to keep your wrist straight and the hand slightly cupped, adjusting the angle that the fingers address the neck by turning at the elbow, rather than from the wrist. You might find that much of the material presented here feels much easier with your guitar held higher, rather than lower. The location of the strap button can also play a part here. Check out old photos of Allan Holdsworth playing a Strat and you’ll see that he repositioned his strap button on the neck heel, rather than on the usual upper horn. Also, make sure you’re fully warmed up and pay attention to any unexpected aches and pains. Also consider using a mirror, or perhaps film yourself playing, to make note of any acute angles or other signs of tension that you might not be aware of.

Unlock this article and much more with
You can enjoy:
Enjoy this edition in full
Instant access to 600+ titles
Thousands of back issues
No contract or commitment
Try for 99p
SUBSCRIBE NOW
30 day trial, then just £9.99 / month. Cancel anytime. New subscribers only.


Learn more
Pocketmags Plus
Pocketmags Plus

This article is from...


View Issues
Guitar Techniques
September 2024
VIEW IN STORE

Other Articles in this Issue


FEATURES
WELCOME
READY TO SUBSCRIBE? www.magazines direct.com AS THE FUNDAMENTAL
DON’ T MISS OUR AMA ZING DIGITAL EDITION
Try GT’s digital edition on PC, Mac, Laptop, Desktop or Tablet !
Here are a few of your regular GT tuition experts...
SIMON BARNARD Simon is a graduate of ACM
GT USER GUIDE
You can get more from GT by understanding our easy-to-follow musical terms and signs
CHRIS ISAAK
A minute’s all it takes to find out what makes a great guitarist tick. Before he jumped into his limo for the airport we grabbed a quick chat with the retro-vibed American singer-songwriter-guitarist.
JUSTIN SANDERCOE
The founder of justinguitar.com lends GT his insight as one of the world’s most successful guitar teachers. This Month: Slow Hand Making Magic.
SUBSTITUTE Playing With 7ths
THERE IS A LOT TO BE GAINED from
MITCH DALTON
The studio guitarist’s guide to happiness and personal fulfilment, as related by our resident session ace. This month: It’ll Be Alright On The Dwight.
JAM TRACKS TIPS
Use these to navigate our bonus backing tracks
PHIL HILBORNE’S ONE-MINUTE LICK
Chromatic String Bending Ideas
ULF WAKENIUS
Instrumentals have supplied some of music’s most evocative moments. Jason Sidwell asks top guitarists for their take on this iconic movement. This month: the Swedish jazz virtuoso who worked with piano legend, Oscar Peterson.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.
FERDINANDO CARULLI
Andantino In G (Opus 241)
BACK ISSUES
The last six months still available!
NEW ALBUMS
A selection of new and reissued guitar releases, including Album Of The Month
EXCLUSIVE VIDEOS!
VIDEO MASTERCLASS
Brett Garsed
COUNTRY GUITAR
Brent Mason & Vince Gill
THE LEARNING ZONE
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
DREAM THEATER
This month Jamie Hunt demonstrates two powerful rhythm approaches from the Massachusetts band’s picker and riffmaster extraordinaire, John Petrucci.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer’s undisputed master of attitude.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
THE KINKS’ RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
PAT METHENY
Nick Mellor offers an insight into the jazz great’s 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
STRING SKIPPING
In this article Simon Barnard guides you through this useful tool for bringing arpeggios and larger interval phrases into your playing.
Chat
X
Pocketmags Support