DOMINO
The musical project between childhood friends Asha Lorenz and Louis O’Bryen is a delightfully wobbly take on guitar-pop music. The London-based band’s early material possessed a groggy, almost druggy-slow creep to it, but via the helping hand of Grammy-nominated producer James Dring, the band have unashamedly tapped into their more hook-centric nature. 925 is an album that is still pleasingly stripped back at times, but it’s also one that feels like it’s pushing for something bigger. On In Unison, the song moves from lo-figuitar bedroom pop territory to something far more sweeping and grand, somehow merging two opposing sonic styles and songs into one. This dichotomous duality is the essence of what makes Sorry such a charming duo - and the result is a pleasingly unpredictable and multifaceted debut.