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Editor’s letter

ANGELA LYONS

To evolve as an artist requires courage and openness. For those occupying that exclusive top level of international fame, these qualities are even more important, particularly considering the level of scrutiny from audiences and peers. This month’s cover star Lisa Batiashvili is one such artist. But, as she tells Toby Deller on page 30, she has not always had the confidence to ‘expand her limits’. It was only last year that she finally felt able to take on the role of artistic director of a summer festival – Audi Summer Concerts in Ingolstadt, Germany. The project is just one component of a larger programme of growth for the Georgian violinist, who also speaks about her contribution to The White Crow soundtrack and introduces her new collaborative recording project for 2020.

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About The Strad

Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work.