Shopping Cart -

Your cart is currently empty.
This website use cookies and similar technologies to improve the site and to provide customised content and advertising. By using this site, you agree to this use. To learn more, including how to change your cookie settings, please view our Cookie Policy
Pocketmags Digital Magazines
Pocketmags Digital Magazines
   You are currently viewing the Italy version of the site.
Would you like to switch to your local site?
Leggi ovunque Read anywhere
Modalità di pagamento Pocketmags Payment Types
Trusted site
A Pocketmags si ottiene
Fatturazione sicura
Ultime offerte
Web & App Reader
Loyalty Points

The heart of Amadeus

What is it about Mozart’s music that responds to young people, or at least the young at heart? The question was answered, if not resolved, in late September at the Third Zhuhai International Mozart Competition for violinists (and pianists). The violin competition finals took place over a week in the gilded Mozart Concert Hall of the Zhuhai Huafa & CPAA Grand Theatre, named after the real estate group that sponsors the competition and has developed acre upon acre of the city’s sprawling suburbs. You won’t find the theatre on Google Maps, which has inconveniently submerged a swathe of southern Zhuhai beneath a misplaced river, but all you need is courage and 1 yuan – about 10 pence – in your hand to catch a bus from the central Gongbei station, which will drop you by the door.

Purchase options below
Find the complete article and many more in this issue of The Strad - January 2020 and String Courses supplement
If you own the issue, Login to read the full article now.
Single Issue - January 2020 and String Courses supplement
Or 549 points
Annual Digital Subscription
Only € 3,25 per issue
Was €54,99
Now €38,99

View Issues

About The Strad

Lisa Batiashvili discusses her latest projects and we delve into the mysterious world of varnish making. There’s a look at strategies for teaching adolescents, and Leila Josefowicz completes her look at Berg’s Violin Concerto. Plus Sheku Kanneh-Mason’s Sentimental Work.