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Letters

Beaver or butterfly?

The wording in Marlene Griffin’s letter (LP, October 2017) seems to imply to me that either one chooses a medium and grafts away at it regardless in the hope that some sort of success ensues, or flits from topic to topic, never staying long enough to find out much about anything.

There is nothing wrong with using many different media or even several different media in the same work – Picasso did and so did Leonardo to name but two. The trick is to understand each medium then to apply yourself to get the best out of it. Composition and perspective apply to all media so if you have an understanding of the basics then you can use acrylic, watercolour, oil or any other medium to construct your picture. Whether you can produce a picture with life and vibrancy is down to talent and imagination, and no amount of ‘beavering’ and ‘butterflying’ can give you that.

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Leisure Painter
Nov-17
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Other Articles in this Issue


Leisure Painter
Welcome from the editor
Watercolour is always a popular and enjoyable medium
IN EVERY ISSUE
Diary
THINGS TO DO THIS MONTH
Exhibitions
JANE STROUD RECOMMENDS
Books WHAT TO READ THIS MONTH
Visit www.painters-online.co.uk/store and click on the link to books to buy the latest practical art books available from LP’s online bookshop
Art clubs
OVER TO YOU FOR THE LATEST NEWS ON CLUB EXHIBITIONS AND ACTIVITIES
Art club gallery
BEST IN SHOW PAINTINGS
Online gallery
Jane Stroud’s selection of works from our PaintersOnline gallery
FEATURES
Free your style
Part 1 From essential techniques to how to recycle old paintings and make a stay-wet palette at home, Brendan Smith offers a fresh look at acrylics
Layers of colour
Part 1 Michelle Campbell demonstrates her painting processes and techniques as she paints the natural world around her
Painting project
Part 2 Paint along with Colin Steed as he demonstrates the process of painting a local parade of shops in watercolour
Focus on trees
Part 1 Try four warm-up exercises to help you paint trees more fluidly before tackling the demonstration painting next month, with Stephen Coates
Line and colour
Part 7 Paint boats, buildings and busy market scenes as you combine acrylic ink with coloured pencils, by Tim Fisher
Beside the sea
Helen Elliott discusses her painting and thought processes as she creates one of her signature paintings
In the frame
Part 2 Tony Paul looks at classical compositions and how to apply them to your work
Wildlife in watercolour
Part 2 Make the most of watercolour’s transparent properties as you paint meerkats, with Hazel Soan
How to paint a winner
Part 1 How to think, observe and plan like an artist. Leave your colours in their tubes this month while you plot out composition, tone and colour for your next painting in this two-part guide to producing your best work, with Martin Kinnear
Autumn colour
How to create depth in a watercolour painting of autumn woodland, with Paula Henchell
Caran d’Ache sketching sets
Be inspired by Caran d’Ache artists’ sketching materials as Tim Fisher explores a plethora of techniques and effects made on different surfaces
Autumn fruits
Set your timer and test your abilities as you paint Chinese lanterns in 30 minutes with Ann Mortimer
Cartoon it!
Be inspired by John Byrne’s take on life as you put your drawing skills and sense of humour to the test
Harvest mouse
Part 2 Complete your detailed portrait of a harvest mouse, with Paul Hopkinson
Tulip time
Brighten up an autumn day by painting colourful tulips in front of a diffused background, with Elena Parashko