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Guest editor Lisa Havilah
The movement of individuals and cultures across nations is increasingly complex and constantly changing. What impact do the shifting cultures of Australia have on contemporary visual arts practice? A number of exhibitions have highlighted the importance of artistic production by diasporic artists to the evolving geography of global contemporary art, and have shown how the experience is differently processed. Artists from Africa, Asia and the Middle East bring with them attachments to home as they move elsewhere for political, social or economic reasons and this process becomes central to their creative practice. What are the uses and misuses of the concept of diaspora in Australia? How does that relate to that particularly Australian term - multiculturalism? Do we over-determine the cultural identities of artists?
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Artlink Magazine

Diaspora Guest editor Lisa Havilah The movement of individuals and cultures across nations is increasingly complex and constantly changing. What impact do the shifting cultures of Australia have on contemporary visual arts practice? A number of exhibitions have highlighted the importance of artistic production by diasporic artists to the evolving geography of global contemporary art, and have shown how the experience is differently processed. Artists from Africa, Asia and the Middle East bring with them attachments to home as they move elsewhere for political, social or economic reasons and this process becomes central to their creative practice. What are the uses and misuses of the concept of diaspora in Australia? How does that relate to that particularly Australian term - multiculturalism? Do we over-determine the cultural identities of artists?


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Artlink Magazine  |  Diaspora  


Guest editor Lisa Havilah
The movement of individuals and cultures across nations is increasingly complex and constantly changing. What impact do the shifting cultures of Australia have on contemporary visual arts practice? A number of exhibitions have highlighted the importance of artistic production by diasporic artists to the evolving geography of global contemporary art, and have shown how the experience is differently processed. Artists from Africa, Asia and the Middle East bring with them attachments to home as they move elsewhere for political, social or economic reasons and this process becomes central to their creative practice. What are the uses and misuses of the concept of diaspora in Australia? How does that relate to that particularly Australian term - multiculturalism? Do we over-determine the cultural identities of artists?
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Artlink is widely known as a leading contemporary visual art magazine in Australia and the Asia-Pacific region. Each issue creatively explores a theme relevant to contemporary art and culture. Artlink is renowned for its original choice of topics, readability, cutting edge editorial and excellent production values. Articles are written by leading writers, including well-known curators and academics. Artlink is a valuable reference, ideal for artists, students, arts professionals and anyone with a general interest in the visual arts. A key tool for researchers, it is frequently cited as being the publication which best informs readers about current practice in a diverse range of media and each issue is lavishly illustrated with new work by artists and groups. Exhibition and book reviews give a critical view of established and emerging art practice. Back issues are packed with exciting, evergreen debates and research including analysis, commentary, gossip, news and information. Essential for anyone interested in contemporary arts in the Asia Pacific region. Artlink is one of Australia’s longest established art publications. Be surprised and delighted by every new themed issue, masterminded by a range of daring guest editors and enjoy the curiosity and originality in the way contemporary art is represented.

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Great Contemporary visual art magazine covering Australia and Pacific

Great Contemporary visual art magazine covering Australia and Pacific Revisto 19 junho 2020

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