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Boston Review Magazine On Anger Edição anterior

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15 Comentários   •  English   •   General Interest (News & Current Affairs)
Anger looms large in our public lives. Should it?

Reflecting on two millennia of debates about the value of anger, Agnes Callard contends that efforts to distinguish righteous forms of anger from unjust vengeance, or appropriate responses to wrongdoing from inappropriate ones, are misguided. What if, she asks, anger is not a bug of human life, but a feature—an emotion that, for all its troubling qualities, is an essential part of being a moral agent in an imperfect world? And if anger is both troubling and essential, what then do we do with the implications: that angry victims of injustice are themselves morally compromised, and that it might not be possible to respond rightly to being treated wrongly? As Callard concludes, “We can’t be good in a bad world.”

The contributions that follow explore anger in its many forms—public and private, personal and political—raising an issue that we must grapple with: Does the vast well of public anger compromise us all?

FORUM

Lead essay by Agnes Callard. Responses by Paul Bloom, Elizabeth Bruenig, Desmond Jagmohan, Daryl Cameron & Victoria Spring, Myisha Cherry, Jesse Prinz, Rachel Achs, Barbara Herman, Oded Na’aman. Final response by Agnes Callard.

ESSAYS

Judith Butler interviewed by Brandon M. Terry, David Konstan, Martha C. Nussbaum, Whitney Phillips, Amy Olberding.
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Boston Review

On Anger Anger looms large in our public lives. Should it? Reflecting on two millennia of debates about the value of anger, Agnes Callard contends that efforts to distinguish righteous forms of anger from unjust vengeance, or appropriate responses to wrongdoing from inappropriate ones, are misguided. What if, she asks, anger is not a bug of human life, but a feature—an emotion that, for all its troubling qualities, is an essential part of being a moral agent in an imperfect world? And if anger is both troubling and essential, what then do we do with the implications: that angry victims of injustice are themselves morally compromised, and that it might not be possible to respond rightly to being treated wrongly? As Callard concludes, “We can’t be good in a bad world.” The contributions that follow explore anger in its many forms—public and private, personal and political—raising an issue that we must grapple with: Does the vast well of public anger compromise us all? FORUM Lead essay by Agnes Callard. Responses by Paul Bloom, Elizabeth Bruenig, Desmond Jagmohan, Daryl Cameron & Victoria Spring, Myisha Cherry, Jesse Prinz, Rachel Achs, Barbara Herman, Oded Na’aman. Final response by Agnes Callard. ESSAYS Judith Butler interviewed by Brandon M. Terry, David Konstan, Martha C. Nussbaum, Whitney Phillips, Amy Olberding.


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Anger looms large in our public lives. Should it?

Reflecting on two millennia of debates about the value of anger, Agnes Callard contends that efforts to distinguish righteous forms of anger from unjust vengeance, or appropriate responses to wrongdoing from inappropriate ones, are misguided. What if, she asks, anger is not a bug of human life, but a feature—an emotion that, for all its troubling qualities, is an essential part of being a moral agent in an imperfect world? And if anger is both troubling and essential, what then do we do with the implications: that angry victims of injustice are themselves morally compromised, and that it might not be possible to respond rightly to being treated wrongly? As Callard concludes, “We can’t be good in a bad world.”

The contributions that follow explore anger in its many forms—public and private, personal and political—raising an issue that we must grapple with: Does the vast well of public anger compromise us all?

FORUM

Lead essay by Agnes Callard. Responses by Paul Bloom, Elizabeth Bruenig, Desmond Jagmohan, Daryl Cameron & Victoria Spring, Myisha Cherry, Jesse Prinz, Rachel Achs, Barbara Herman, Oded Na’aman. Final response by Agnes Callard.

ESSAYS

Judith Butler interviewed by Brandon M. Terry, David Konstan, Martha C. Nussbaum, Whitney Phillips, Amy Olberding.
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