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Gramophone Magazine March 2015 Edição anterior

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In the March issue of Gramophone, we ask why the music of Robert Schumann is at last attracting the recognition it deserves. Once maligned for his inconsistency and supposedly awkward orchestration, will Schumann’s reputation shift thanks to a new generation of musicians better able to unlock the truths of his fascinating works? With the help of soloists Isabelle Faust and Alexander Melnikov and conductors Simon Rattle, Heinz Holliger and Robin Ticciati, we look at the place of Schumann’s music in 21st-century life.

Also in this issue, a comprehensive history of the post-war recording technology that spawned Hi-Fi as we know it, and an appraisal of Australian Brett Dean, our featured ‘contemporary composer.’ All that, plus Thomas Sondergård talks Sibelius, Jeremy Nicholas and Andrew Lamb argue the toss over the D’Oyly Carte Mikado, David Patrick Stearns chooses the best recording of Nielsen’s Symphony No 3 and we review the month’s notable CD and DVD releases.
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Gramophone

March 2015 In the March issue of Gramophone, we ask why the music of Robert Schumann is at last attracting the recognition it deserves. Once maligned for his inconsistency and supposedly awkward orchestration, will Schumann’s reputation shift thanks to a new generation of musicians better able to unlock the truths of his fascinating works? With the help of soloists Isabelle Faust and Alexander Melnikov and conductors Simon Rattle, Heinz Holliger and Robin Ticciati, we look at the place of Schumann’s music in 21st-century life. Also in this issue, a comprehensive history of the post-war recording technology that spawned Hi-Fi as we know it, and an appraisal of Australian Brett Dean, our featured ‘contemporary composer.’ All that, plus Thomas Sondergård talks Sibelius, Jeremy Nicholas and Andrew Lamb argue the toss over the D’Oyly Carte Mikado, David Patrick Stearns chooses the best recording of Nielsen’s Symphony No 3 and we review the month’s notable CD and DVD releases.


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Gramophone  |  March 2015  


In the March issue of Gramophone, we ask why the music of Robert Schumann is at last attracting the recognition it deserves. Once maligned for his inconsistency and supposedly awkward orchestration, will Schumann’s reputation shift thanks to a new generation of musicians better able to unlock the truths of his fascinating works? With the help of soloists Isabelle Faust and Alexander Melnikov and conductors Simon Rattle, Heinz Holliger and Robin Ticciati, we look at the place of Schumann’s music in 21st-century life.

Also in this issue, a comprehensive history of the post-war recording technology that spawned Hi-Fi as we know it, and an appraisal of Australian Brett Dean, our featured ‘contemporary composer.’ All that, plus Thomas Sondergård talks Sibelius, Jeremy Nicholas and Andrew Lamb argue the toss over the D’Oyly Carte Mikado, David Patrick Stearns chooses the best recording of Nielsen’s Symphony No 3 and we review the month’s notable CD and DVD releases.
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Originally published over 90 years ago in 1923, Gramophone magazine has been furnishing music fans with highly respected reviews and critical analysis spanning all genres of classical music ever since. Each issue contains highly recommended recordings of the month that you just can’t miss, with interesting and insightful features that explore the greater depth of the recordings and scores.


Whether it’s news, reviews, features or playlists, Gramophone magazine gives readers everything the world of classical music has to offer. As the ‘world’s leading authority on classical music’, you can expect to find all-revealing interviews with the biggest names in classical music alongside the celebration of iconic composers and musicians such as Mozart and Beethoven.


With a reputation founded on acclaimed critical analyses of the latest CD releases, you can expect independent and intelligent editorial with over 150 reviews in each issue. What’s more, subscribers to Gramophone magazine will also enjoy unparalleled and comprehensive coverage of upcoming performances and live events in the UK and around the world - so you’ll know what to book!  


Keep yourself up-to-date on all the latest from the world of classical music with a monthly digital subscription to Gramophone magazine - download the latest magazine to your device and enjoy immediately today!

A Gramophone digital magazine subscription is a must for any classical music enthusiast:

  • The world’s authority on classical music since 1923
  • Feature-packed issues spanning all classical music genres
  • Trusted classical music reviews
  • Critical analyses of the latest releases
  • In-depth features and interviews with classical stars
  • Comprehensive coverage of recorded and live music
  • Intelligent and independent editorial from globally acclaimed writers
  • Delivered directly to your device every month

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