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The Critic Magazine Jul 2020 Edição anterior

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18 Comentários   •  English   •   General Interest (News & Current Affairs)
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In The Critic’s 112 page July/August summer double issue: Allister Haimes on how politicians got the Covid-19 lockdown wrong; David Starkey & Wanjiru Njoya on the faulty history and analysis of Black Lives Matter; Douglas Murray on his two literary mentors; Louise Perry on the dignity of housework; Richard Cockett on China’s growing belligerence; Michael Collins on Britain’s overlooked white working class; Matt Zwolinski & Jamie Whyte make the free market case for — and against — a universal basic income; Marie Le Conte on being at the centre of a twitter storm; Josephine Bartosch on the challenges of growing up small; Jacob Willer on a truly dreadful painter, and the dead end of artistic revivalism; Daniel Johnson on the young Max Weber; Robert Chandler on Vassily Grossman’s war reporting; Graham Stewart on the death of the Sloane Ranger; Dominic Lawson on The Spectator; Andrew Roberts on Lord Haldane; Richard Griffiths on Britain’s failed far right; plus all our regulars including Joshua Rozenberg, Hannah Betts, Norman Lebrecht, Anne McElvoy & Titania McGrath. Also The Critic’s first competition - the first person to solve Adam Dant’s London Rebus wins a £500 limited edition print.
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The Critic

Jul 2020 In The Critic’s 112 page July/August summer double issue: Allister Haimes on how politicians got the Covid-19 lockdown wrong; David Starkey & Wanjiru Njoya on the faulty history and analysis of Black Lives Matter; Douglas Murray on his two literary mentors; Louise Perry on the dignity of housework; Richard Cockett on China’s growing belligerence; Michael Collins on Britain’s overlooked white working class; Matt Zwolinski & Jamie Whyte make the free market case for — and against — a universal basic income; Marie Le Conte on being at the centre of a twitter storm; Josephine Bartosch on the challenges of growing up small; Jacob Willer on a truly dreadful painter, and the dead end of artistic revivalism; Daniel Johnson on the young Max Weber; Robert Chandler on Vassily Grossman’s war reporting; Graham Stewart on the death of the Sloane Ranger; Dominic Lawson on The Spectator; Andrew Roberts on Lord Haldane; Richard Griffiths on Britain’s failed far right; plus all our regulars including Joshua Rozenberg, Hannah Betts, Norman Lebrecht, Anne McElvoy & Titania McGrath. Also The Critic’s first competition - the first person to solve Adam Dant’s London Rebus wins a £500 limited edition print.


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The Critic issue Jul 2020

The Critic  |  Jul 2020  


In The Critic’s 112 page July/August summer double issue: Allister Haimes on how politicians got the Covid-19 lockdown wrong; David Starkey & Wanjiru Njoya on the faulty history and analysis of Black Lives Matter; Douglas Murray on his two literary mentors; Louise Perry on the dignity of housework; Richard Cockett on China’s growing belligerence; Michael Collins on Britain’s overlooked white working class; Matt Zwolinski & Jamie Whyte make the free market case for — and against — a universal basic income; Marie Le Conte on being at the centre of a twitter storm; Josephine Bartosch on the challenges of growing up small; Jacob Willer on a truly dreadful painter, and the dead end of artistic revivalism; Daniel Johnson on the young Max Weber; Robert Chandler on Vassily Grossman’s war reporting; Graham Stewart on the death of the Sloane Ranger; Dominic Lawson on The Spectator; Andrew Roberts on Lord Haldane; Richard Griffiths on Britain’s failed far right; plus all our regulars including Joshua Rozenberg, Hannah Betts, Norman Lebrecht, Anne McElvoy & Titania McGrath. Also The Critic’s first competition - the first person to solve Adam Dant’s London Rebus wins a £500 limited edition print.
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The Critic is Britain’s new monthly magazine that focuses on politics, art, literature, opinions, challenging ideas, diversions and more. Co-edited by Michael Mosbacher and Christopher Montgomery, The Critic speaks against a dangerous consensus that finds critical voices triggering, troubling, insensitive and disrespectful. Each monthly issue is comprised of highly honest and informed writing, rigorous content and thoughtful reflections from an opinion society.


The Critic provides open-minded readers with an honest view of all sides of today’s political and cultural debates, as well as asking the hard-hitting questions that other publications won’t. Discover a variety of regular features that speak honestly and lucidly about today’s current affairs and explore the opinions which govern modern Britain and so much more in every monthly issue.


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