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Yes & No Magazine Issue 02:02 Edição anterior

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What’s inside YES & NO No.02:02—D&AD Awards Winner 2018, For Creative Excellence—Independent Magazines. Cover story features new English band audiobooks. Their debut album Now! (in a minute) has been hailed by the music press. We meet the band—Evangeline Ling and David Wrench—in conversation with artist Duggie Fields. The cover story was photographed exclusively for YES & NO by Brigitte Lacombe at the A.P.C Headquarters, Paris. The Centrefold is by British artist/designer Pandemonia. German-born artist Jutta Koether owns the Back Cover with The Necessity of Multiple Inconsistent Fantasies No.23— an artwork from her 12-month Bortolami’s Artist/City Project residency in Philadelphia, PA. Journey to Southern Crimea: Part 2 by Brigitte Lacombe presents portraits from her cultural expedition to Crimea’s Black Sea Coast. The Moog GIANTS In conversation is with Ryuichi Sakamoto. Pin Drop’s second curated short story Closure is by Redfern Jon Barrett with a specially commissioned watercolour by Simon Foxall. S’Express founder Mark Moore writes about his love of board games and the new age of board gaming. This edition also features Scottish-born Andrew Grassie miniature paintings of photographic views defy visual perception and logic. As Golden Globe, BAFTA, and Oscar hopefuls prepare acceptance speeches, veteran film critic Derek Malcolm gives us his take on 2018’s Venice Film Festival. In Up Top author Hugh Purcell writes about the history of a former psychiatric hospital in Mid Wales and the attitudes concerning the treatment of mental health patients in England and Wales. Photojournalist Lynsey Addario met with Cassius Matthias to talk about her new book “Of Love & War”, her life and her work capturing human loss and tragedy in the world’s war zones. The seasonal menu is courtesy of Mark Hix while Dustin Macmillan pairs each dish with wine.
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Yes & No Magazine

Issue 02:02 What’s inside YES & NO No.02:02—D&AD Awards Winner 2018, For Creative Excellence—Independent Magazines. Cover story features new English band audiobooks. Their debut album Now! (in a minute) has been hailed by the music press. We meet the band—Evangeline Ling and David Wrench—in conversation with artist Duggie Fields. The cover story was photographed exclusively for YES & NO by Brigitte Lacombe at the A.P.C Headquarters, Paris. The Centrefold is by British artist/designer Pandemonia. German-born artist Jutta Koether owns the Back Cover with The Necessity of Multiple Inconsistent Fantasies No.23— an artwork from her 12-month Bortolami’s Artist/City Project residency in Philadelphia, PA. Journey to Southern Crimea: Part 2 by Brigitte Lacombe presents portraits from her cultural expedition to Crimea’s Black Sea Coast. The Moog GIANTS In conversation is with Ryuichi Sakamoto. Pin Drop’s second curated short story Closure is by Redfern Jon Barrett with a specially commissioned watercolour by Simon Foxall. S’Express founder Mark Moore writes about his love of board games and the new age of board gaming. This edition also features Scottish-born Andrew Grassie miniature paintings of photographic views defy visual perception and logic. As Golden Globe, BAFTA, and Oscar hopefuls prepare acceptance speeches, veteran film critic Derek Malcolm gives us his take on 2018’s Venice Film Festival. In Up Top author Hugh Purcell writes about the history of a former psychiatric hospital in Mid Wales and the attitudes concerning the treatment of mental health patients in England and Wales. Photojournalist Lynsey Addario met with Cassius Matthias to talk about her new book “Of Love & War”, her life and her work capturing human loss and tragedy in the world’s war zones. The seasonal menu is courtesy of Mark Hix while Dustin Macmillan pairs each dish with wine.


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Yes & No Magazine  |  Issue 02:02  


What’s inside YES & NO No.02:02—D&AD Awards Winner 2018, For Creative Excellence—Independent Magazines. Cover story features new English band audiobooks. Their debut album Now! (in a minute) has been hailed by the music press. We meet the band—Evangeline Ling and David Wrench—in conversation with artist Duggie Fields. The cover story was photographed exclusively for YES & NO by Brigitte Lacombe at the A.P.C Headquarters, Paris. The Centrefold is by British artist/designer Pandemonia. German-born artist Jutta Koether owns the Back Cover with The Necessity of Multiple Inconsistent Fantasies No.23— an artwork from her 12-month Bortolami’s Artist/City Project residency in Philadelphia, PA. Journey to Southern Crimea: Part 2 by Brigitte Lacombe presents portraits from her cultural expedition to Crimea’s Black Sea Coast. The Moog GIANTS In conversation is with Ryuichi Sakamoto. Pin Drop’s second curated short story Closure is by Redfern Jon Barrett with a specially commissioned watercolour by Simon Foxall. S’Express founder Mark Moore writes about his love of board games and the new age of board gaming. This edition also features Scottish-born Andrew Grassie miniature paintings of photographic views defy visual perception and logic. As Golden Globe, BAFTA, and Oscar hopefuls prepare acceptance speeches, veteran film critic Derek Malcolm gives us his take on 2018’s Venice Film Festival. In Up Top author Hugh Purcell writes about the history of a former psychiatric hospital in Mid Wales and the attitudes concerning the treatment of mental health patients in England and Wales. Photojournalist Lynsey Addario met with Cassius Matthias to talk about her new book “Of Love & War”, her life and her work capturing human loss and tragedy in the world’s war zones. The seasonal menu is courtesy of Mark Hix while Dustin Macmillan pairs each dish with wine.
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Yes & No is a new quarterly magazine that embraces today’s new realites, holding up a cultural mirror to reflect the eclectic yet fragile world while rigorously asking: What? How? Why? Where?

YES & NO represents a defiant movement against the certainties that increasingly divide us. Contained within its beautifully designed pages — in digital and print — it speaks to like-minded people who are increasingly dismayed by the stark choices that have defined the political landscape in recent years. The content-rich quarterly magazine is made for people who believe in a more fluid, creative approach — for people who see value in exploring life from all angles and who embrace a multiple range of solutions to the task of navigating the modern world. YES & NO is tolerant, exploratory, curious and promotes a stimulating mixture of science, art and culture for our times. It is designed to raise questions than to provide answers. It’s a companion for the modern world — a manifesto for anyone who embraces life’s complexities rather than confining it within the parameters of either yes or no

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