GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
14 MIN READ TIME

NATALIE BERGMAN

HAVE MERCY

When sudden tragedy struck,NATALIE BERGMANfound solace in the New Mexico desert. Shedding indie rock for psychedelic gospel-soul, music played a big part in her healing – while her latest album finds fresh hope in new life. “People form bands because we’re lost,” she tells Kevin EG Perry. “We’re like: ‘Hello, we’re looking for our home here on Earth.’”

“Next-level musician” Natalie Bergman at home in LA
Photo by ANDREAS EKELUND
“It was so insular”: Bergman circa her debut solo album Mercy
ROBIN LAANANEN

N 2019, Natalie Bergman and her brother Elliot were in New York preparing to play Radio City Music Hall with their indie-rock band, Wild Belle. Minutes before soundcheck, they got a call from a coroner in San Francisco. Their father Jud and stepmother Mary had been in a taxi that was struck head on by a drunk driver speeding down the wrong side of a highway. The couple were killed on impact. Bergman, who had already lost her birth mother when she was still a teenager, felt herself buckle with the shock. The grief was so overwhelming she feared it might destroy her.

“I remember my heart physically hurt for five months,” she says softly. “I thought I had breast cancer. I was like: ‘Something is wrong. What the fuck is going on? Do I have cancer in my heart?’”

We’re sitting at the dining table in her home on a hillside in Los Angeles, looking south through glass walls over the urban sprawl of Glendale and towards the city’s distant downtown. Birds shelter in the tops of trees below our eyeline. The wide Californian sky, usually so reliably bright, has turned grey with a gathering storm. There is rain coming.

As the temperature drops, Bergman stands to close a window. She is dressed all in black: jeans and a loose buttoned shirt. On the middle finger of her left hand, beside her wedding band, is a ring in the shape of a thick silver cross. It signifies her Christian faith, but it’s symmetrically sized. It appears less like a crucifix than the universal symbol indicating an urgent need for medical care.

In the immediate aftermath of her father’s death, Bergman got sober and, two months later, took a vow of silence and entered The Monastery of Christ in the Desert in Chama Valley, New Mexico. After six days of solitude she emerged having wrestled with her grief and with her God. She also brought with her the beginnings of her first solo record, the psychedelic gospel album Mercy, released in 2021 by Jack White’s Third Man Records.

Unlock this article and much more with
You can enjoy:
Enjoy this edition in full
Instant access to 600+ titles
Thousands of back issues
No contract or commitment
Try for 99p
SUBSCRIBE NOW
30 day trial, then just £9.99 / month. Cancel anytime. New subscribers only.


Learn more
Pocketmags Plus
Pocketmags Plus

This article is from...


View Issues
Uncut
Jul-25
VIEW IN STORE

Other Articles in this Issue


In This Issue
A bit of Rough
How the launch of Rough Trade Records in 1977 opened the door for generations of renegade music-makers
A Quick One
Waiting for the mag? It’s not early, it’s
“We hit the godhead”
Octogenarian folk trailblazer Bonnie Dobson is born again in the company of The Hanging Stars
I got the blues
How did a young Manchester lad in an M&S cardie obtain candid photos of all the R&B and rock’n’roll greats? Brian Smith explains
HOME BODIES
Natalie Bergman on five key influences on My Home Is Not In This World …
BERGMAN ON FILM
Four essential movie and music video appearances
ENJOYING THE RIDE
From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted
THE OTHER ONE
Bobby dazzler: a buyer’s guide
LOVE AND PEACE IN LAS VEGAS
The Dead’s 21st-century Trip
How Long Do I Have To Wait For You?”
From Rikers Island to Amy Winehouse and “Uptown Funk”: how a late-blooming diva and an indie-label clique helped rejuvenate a classic sound
TIME LINE
1996 Sharon Jones sings backing on Lee Fields’
MUSIC FOR PLEASURE
Deep inside his London studio, BRIAN ENO is busy bringing “playful” experimental strategies to the studio graft – as his new collaborative albums with conceptual artist Beatie Wolfe attest. But, over pastries, an uncharacteristically digressive Eno finds time to discuss Scott Walker’s voice, communal living with Harmonia, mid-‘60s ‘happenings’ and his deep enthusiasm to create anew. “I’m sorry to be so shamelessly enthusiastic about my work,” he tells Tom Pinnock
“WE’VE PLAYED THE SAME GUITAR AT THE SAME TIME!”
Beatie Wolfe on her “restorative” work with Eno
THE ROAD TO LUMINAL & LATERAL
How Eno got to the ambient Western drift of his new albums
Peggy Seeger
Taking her bow after an extraordinary career, the godmother of Anglo-American folk looks back at her landmark releases
ONCE UPON A TIME IN THE MIDWEST
Away from his day job as The National’s lugubrious frontman, MATT BERNINGER has reached back into his Ohio upbringing for a ruminative new solo record. But behind the childhood tales of gang fights, drowned train cars and Christmas tree farms lurks midlife melancholy. “I’m writing about trying to understand my own fear,” he tells Laura Barton
THE ROAD TO GET SUNK
The new album’s antecedents
NATIONAL TREASURES
A serial collaborator, here are three of Matt Berninger’s best partners
AFTER FOREVER
What is this that stands before me? Only the original lineup of BLACK SABBATH , gathered together for the final time! To celebrate the event, Uncut hears their story from the secret ingredient of the band’s heavy swing: drummer BILL WARD . “I jump into a song and explode,” he tells John Robinson
FILLS TO PAY THE BILLS
Bill’s Top 10 Sabbath masterworks
“I’VE NO IDEA WHEN WE GO ON”
Back To The Beginning: Bill’s inside track
TIME HAS TOLD ME
A trove of unreleased music shines revelatory new light on NICK DRAKE ’ s acclaimed debut, Five Leaves Left , mapping the album’s genesis via outtakes, alternate versions and rediscovered recordings. Crucially, these also allow us to hear from the shy, elusive songwriter himself, as he explains the ideas behind his remarkable music from a distance of over 50 years. In the company of Drake’s closest collaborators, Nick Hasted pieces together the true story behind one of the most mythologised albums of all time. As one confidant confirms, “No-one’s ever been that close to these tapes…”
“WE WERE VERY OPEN TO EVENTS”
Julian Lloyd on photographing Nick Drake
“THE FINDINGS WERE TRULY ASTONISHING!”
The search for the ‘lost’ music on The Making Of Five Leaves Left
“MORE INTIMATE, MORE REALISTIC…”
Joe Boyd on Five Leaves Left’s strings
DEEP DRAKE
Ten revelations from The Making Of Five Leaves Left
Feedback
Send your brickbats, bouquets, reminiscences, textual critiques, billets-doux and all forms of printable correspondence to letters@uncut.co.uk
Crossword
Win £50 of Rough Trade vouchers!
Gwenno
The trilingual folk-pop star on her musical utopias: “There’s a purity to what it expresses”
Editorial
Uncut
On the cover: Nick Drake by Estate Of
INSTANT KARMA
Rock it from the tombs
As Queens Of The Stone Age release a revelatory new stripped-down concert film, Josh Homme recounts his “near-life experience” in the Paris catacombs
Friendship
WE’RE NEW HERE
Uncut Playlist
On the stereo this month...
The New Sounds
15 tracks of the month’s best music
AN AUDIENCE WITH... ARTHUR BAKER
The electro super-producer on Bob, Bruce, Beastie Boys’ food fights and upsetting Fleetwood Mac
NEW ALBUMS
PULP More ROUGH TRADE
THE UNCUT GUIDE TO THIS MONTH’S KEY RELEASES
THE ROAD TO MORE
How Jarvis Cocker stopped worrying and learned to love domesticity
Q & A
Jarvis Cocker : “It’s going to be interesting…”
ALAN SPARHAWK With Trampled By Turtles SUB POP 8/10
Fellowship, easement and instinct on the songwriter’s second after Low.
Q & A
Alan Sparhawk : “I was still feeling pretty
A to Z
This month…
BC CAMPLIGHT
A clean break: Brian Christinzio, aka BC Camplight
NEIL YOUNG AND THE CHROME HEARTS Talkin To The Trees REPRISE 7/10
A ‘new’ band, family dynamics, country hymns: it’s all to play for in Neil’s 80th year.
KELSEY WALDON
Every Ghost OH BOY 8/10
AMERICANA ROUND-UP
ALYSSE GAFKJEN EARLY August sees the solo
JAMES McMURTRY
James McMurtry: “I could hear a melody”
POOR CREATURE All Smiles Tonight RIVER LEA 8/10
Lankum meet Landless in drone-folk heaven. By Nick Hasted
Q & A
Ruth Clinton and Cormac MacDiarmada : “There was an extra level of heavy”
VAN MORRISON
Remembering Now VIRGIN MUSIC 8/10
SLOW MOTION COWBOYS Wolf Of St Elmo ARKAM 9/10
Ravishing Americana from a state-hopping urban explorer.
Q & A
Pete Fields : “I’m committed to exploring every
ARCHIVE
DIONNE WARWICK
Make It Easy On Yourself: The Scepter Recordings 1962–1971 SOULMUSIC
VERY DIONNE
Three key stopping-off points beyond the Scepter recordings
MIKE OLDFIELD
Hergest Ridge (50th Anniversary) UNIVERSAL/ISLAND 8/10
STEP UP TO THE MIKE
Oldfield’s career high-water marks
A to Z
This month…
THE BETA BAND
The Beta Band (Steve Mason second right): reissued
REDISCOVERED
Uncovering the underrated and overlooked
SUPER DJATA BAND DE BAMAKO
Authentique Vol 2 Feu Vert 81–82 NUMERO GROUP 8/10
ELECTRIC AVENUES
Three more lost classics from Mali
THE SPECIALIST
VARIOUS ARTISTS All The Young Droids: Junkshop Synth
THE WHO
“It’s a very poignant time”
The Who bow out? Roger Daltrey and Pete Townshend call a press conference to announce their final US tour
Seeing for miles
Breaking America was the making of The Who . Photographer Tom Wright was there to document it all
LIVE
MARK EITZEL
Moth Club, London, April 29
MARGO CILKER
Voodoo Rooms, Edinburgh, April 29
SCREEN
SCREEN
A satisfyingly bittersweet British comedy; a bloody, multicultural late-1700s yarn; a true tale of Nazi resistance; and more…
REVIEWED THIS MONTH
THE BALLAD OF WALLIS ISLAND Directed
ALSO OUT...
Ballerina BALLERINA RELEASED JUNE 6 Ana
SCREEN EXTRA
WHEN BRUCE SPRINGSTEEN CAME TO BRITAIN BBC 8/10
Fans and industry folk celebrate 50 years of UK shows in a new Boss doc.
BOOKS
BOOKS
I N The Last Great Dream ,
HI-FI
B&W’s wireless speaker just got even better
BOWERS & WILKINS ZEPPELIN PRO EDITION
OBITUARIES
Not Fade Away
Fondly remembered this month...
Masthead
Uncut
Kelsey Media, The Granary Downs Court, Yalding Hill,
Chat
X
Pocketmags Support