GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
10 MIN READ TIME

SCREENWRITING

SEEN ON SCREEN

Do you dream of seeing your words acted out on TV? Four top industry professionals of f er their advice on making the grade in the competitive world of screenwriting

ASPIRING SCREENWRITERS: FINDING YOUR PATH AND PERFECTING YOUR CRAFT

Jackie Okwera is a screenwriter with several projects in development. She has been in multiple writers’ rooms for most major broadcasters and before her screenwriting career took off, Jackie spent over a decade working in TV development.

When aspiring writers ask me how to break into TV, I usually say there’s no one-size-fits-all path. Every writer’s journey is different. Some win a screenwriting competition. Others are in the right place at the right time. For me, I took a sideways route: I worked with writers in development for over a decade first. It was slower, but it gave me invaluable insights into the business.

Whatever your path, the way to grow from a new writer to a good one and, eventually, an in-demand writer is not just about skill but determination. Writing can be challenging. You’ll hear ‘no’ more than ‘yes’. Analyse why that exec rejected your project and see what you need to address for the next pitch – remember, writing is rewriting.

Building a community of writers at a similar career stage is also essential. They’ll help you road-test ideas, provide advice and support as you navigate your careers together. Writing is less daunting when you have people to share your wins with.

Understanding who you are and what you want to say is most important when developing your craft. Don’t feel pressured to write what you think is currently selling.

Industry trends are constantly shifting. Focus on what you’re passionate about. If you’re a genre writer, know your genre inside out before writing. While some writers advise finding your lane and sticking to it, I don’t necessarily agree. I write in multiple genres but always have similar themes and characters that represent my voice.

Read the complete article and many more in this issue of Writing Magazine
Purchase options below
If you own the issue, Login to read the full article now.
Single Digital Issue January 2025
 
£5.99 / issue
This issue and other back issues are not included in a new subscription. Subscriptions include the latest regular issue and new issues released during your subscription. Writing Magazine
Annual Digital Subscription £79.99 billed annually
Save
5%
£6.67 / issue
6 Month Digital Subscription £39.99 billed twice a year
Save
5%
£6.67 / issue

This article is from...


View Issues
Writing Magazine
January 2025
VIEW IN STORE

Other Articles in this Issue


EDITORIAL
DEAR READER
As the old year draws to a close,
ON THE COVER
EDIT LIKE A PRO
Editing your early draft is where you get to make your writing work. James McCreet shows you how effective editing can be by workshopping original text into focussed writing that does what it needs to
TURN ON THE Christmas writes
In a seasonal special, Helen Stockton has rounded up some Christmas crackers in the form of festive fuel for your writing
Setting the scene
Conveying location and place are vital to the atmosphere of your fiction. Novelist Amanda Jennings offers advice on how to bring the places in your stories to life
BANG TO WRITES
Author T. Orr Monroe, a former CSI, looks at the challenge for crime writers to give their police procedurals a sense of authenticity
Opening the door
Award-winning crime writer Dreda Say Mitchell tells Tina Jackson about the importance of believing in yourself as a writer, and creating opportunities for other writers to get their unique voices heard
INTERVIEWS AND PROFILES
ROGER N MORRIS
The historical novelist tells Lynne Hackles that his routine involves falling into the research rabbit hole
PYAE MOE THET WAR
The debut rom-com writer describes how she dealt with rejection by writing a better book
SHELF LIFE
MANDY ROBOTHAM
CREATIVE WRITING
REAL LIFE, great stories
This month, Jenny Alex and er invites you to try telling y our memoir stories in poetry
Your writing critiqued
James McCreet applies a forensic micro-critique to the beginning of a reader’s manuscript
Tense and point of view: PART ONE
This month, writer and tutor Ian Ayris turns his atttention to two vital choices that need to be made when you begin to write your stories
UNFORESEEN ENCOUNTER
As his gripping new thriller The Fortune Teller of Berlin hits the shelves, author JC Maetis looks at those all important opening pages
ALL RIGHT ON THE NIGHT
Alison Chisholm is entertained by a poem about the pre-performance chaos of a school Nativity play
Fit in or stand out?
Where might your book fit, in a book shop? Margaret James looks at genre and the way books are categorised, and has sound advice for writers whose books don’t fit neatly into boxes
SOMETHING MISSING
Helen Walters looks at the impact a character’s loss of faculties could have on your fiction, with an example
MAKE IT SHINE:
Five ways to polish your middle-grade manuscript
BEYOND fantasy creatures
Alex Davis invites you to get to grips with the less-explored beings in secondary worlds
COMMUNITY AND COMPETITIONS
Treat time
A writing success deserves a small celebration,
The world of writing
What goes through a writer’s brain? Readers’ letters and dispatches from the wide world of writing
IN THE SPOTLIGHT: YOUR WRITING
Supernatural
Subscribers’ news
To feature in Subscribers’ News contact: tjackson@warnersgroup.co.uk
THE HYBRID APPROACH
Erin Larson-Burnett from Atmosphere Press explains how
SLEEPLESSIN SCARBOROUGH
In a small terraced house a short way
GAMES NIGHT
RUNNER UP
Telling the Bees
WINNER
AUTHOR PROFILE
CLARE CHASE
The mystery author talks to Margaret James about juggling three different series
INSIDE THE INDUSTRY
KNOW YOUR RIGHTS
Copyright protects ever y writer, not just the professionals. Simon Whaley explains why ever y writer should know their rights
FAKE NEWS
Ensure you don’t fall victim to misinformation in your research process by following this advice fromTarja Moles
Behind the tape
Expert advice to get the details right in your crime fiction from serving police officer Lisa Cuttsts
Glittering prizes
Is it worth submitting your unpublished manuscript for high-profile awards? Cornerstone’s Monica Chakraverty looks at the potential advantages for emerging authors
GET PUBLISHED
You’ve read the advice – now get into print! Find the most up-to-date calls for submissions, writing competitions to enter and publishing opportunities to suit you and your writing in our easy-to-navigate news pages
ANTHOLOGIES ACCEPTING SUBMISSIONS
Dark Holme Publishing Submissions are invited for the
SHORT STORY AND POETRY COMPETITIONS
The Bournemouth Writing Prize 2025 The annual contest
FICTION OPPORTUNITIES
Dracula Beyond Stoker Dracula Beyond Stoker is
SMALL PRESS OPPORTUNITIES
Riverfolk Publishing Riverfolk Publishing, a US small press,
INDIE MAGS AND WEBSITES
WestWord WestWord’s new ‘Story Sunday feature’ wants shorts
POETRY SUBMISSIONS
Acumen Celebrating its 40th, Acumen is a non-profit
NOVEL COMPETITIONS
Criminal Lines 2024 AM Heath’s competition is for
GENERAL NEWS
Awards round-up By Gary Dalkin The 2024 Booker
NON-FICTION COMP
The Nine Dots Prize 2024/2025 Now in its
NOVEL COMP
The Lucy Cavendish Fiction Prize 2025 The major
SCRIPTWRITING PRIZE
The Bruntwood Prize for Playwriting 2025 The biennial
Sure of success
GET PUBLISHED GET
NON-FICTION OPPORTUNITIES
The Londoner The Londoner is a new
POETRY COMPETITIONS
Keats-Shelley Prize 2024 Enter poems on the theme
SHORT STORY COMPETITIONS
WriteTime Short Story Competition The next quarterly contest
THE CHANGING FACE OF SELF-PUBLISHING
Alex Thompson f rom T roub ad or P ub lishing looks at how attitud es and approach es have evolved
Changing sides
Literary agent Piers Blofeld gets a taste of life on the other side of the other side of the desk
Chat
X
Pocketmags Support