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ArtReview Asia Magazine Summer 2023 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
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In the Summer issue of ArtReview Asia, Max Crosbie-Jones profiles Thai artist Som Supaparinya, whose films focus on the minutiae of precarious terrain in order to draw attention to hydropolitics, power generation, the political inertia of the Thai nation-state and the rights (and souls) of mountains, rivers and their peoples. Japanese artist Horikawa Michio’s half-century (and counting) conceptual project Mail Art by Sending Stones explores stones, rivers and outer space through the collection and posting of rocks, a practice recounted here by Tyler Coburn. Coming at stones from a different angle is the artist Lee Ufan, who speaks with French artist Claude Viallat, in a conversation moderated by Mark Rappolt, about the convergence of two strikingly parallel views of artmaking born at the same time on opposite sides of the world and in perfect isolation. Also in this issue, previews of shows from across Asia and beyond
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ArtReview Asia

Summer 2023 In the Summer issue of ArtReview Asia, Max Crosbie-Jones profiles Thai artist Som Supaparinya, whose films focus on the minutiae of precarious terrain in order to draw attention to hydropolitics, power generation, the political inertia of the Thai nation-state and the rights (and souls) of mountains, rivers and their peoples. Japanese artist Horikawa Michio’s half-century (and counting) conceptual project Mail Art by Sending Stones explores stones, rivers and outer space through the collection and posting of rocks, a practice recounted here by Tyler Coburn. Coming at stones from a different angle is the artist Lee Ufan, who speaks with French artist Claude Viallat, in a conversation moderated by Mark Rappolt, about the convergence of two strikingly parallel views of artmaking born at the same time on opposite sides of the world and in perfect isolation. Also in this issue, previews of shows from across Asia and beyond


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ArtReview Asia issue Summer 2023

ArtReview Asia  |  Summer 2023  


In the Summer issue of ArtReview Asia, Max Crosbie-Jones profiles Thai artist Som Supaparinya, whose films focus on the minutiae of precarious terrain in order to draw attention to hydropolitics, power generation, the political inertia of the Thai nation-state and the rights (and souls) of mountains, rivers and their peoples. Japanese artist Horikawa Michio’s half-century (and counting) conceptual project Mail Art by Sending Stones explores stones, rivers and outer space through the collection and posting of rocks, a practice recounted here by Tyler Coburn. Coming at stones from a different angle is the artist Lee Ufan, who speaks with French artist Claude Viallat, in a conversation moderated by Mark Rappolt, about the convergence of two strikingly parallel views of artmaking born at the same time on opposite sides of the world and in perfect isolation. Also in this issue, previews of shows from across Asia and beyond
read more read less
Founded in 2013 to cover art from the various perspectives at play across the world’s largest continent, ArtReview Asia is dedicated to challenging established views and exploring the contingent and contested in art. From eastern Turkey to eastern Japan (and everywhere up, down and in between), the magazine looks at gaps and blind spots, charting the ways in which artists are responding to local contexts and the evolving challenges of the present. At its heart, ArtReview Asia is both marking and shaping the pathways of alternative and non-Western art.

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Articles in this issue


Below is a selection of articles in ArtReview Asia Summer 2023.

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