ArtReview | April 2022
The April issue of ArtReview takes the world’s most celebrated art gathering – the Venice Biennale – as an excuse to look at the work of artists who refuse to perform at such events. Although the artists in question are both showing at this year’s Biennale (23 April to 27 November): Maria Eichhorn, representing Germany on this occasion, and the Croatian representative, Tomo Savić-Gecan. What’s important is that they are doing it on their own terms, by refusing to engage in the culture of spectacle inherent to such occasions. Also in this issue: film, fashion, photography and Brazil’s avant-gardes, plus exhibition reviews from Piraeus, Paris, Honolulu, LA, New York, Seoul, Rome, London, Berlin and beyond
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Proud to be sat on the head table of leading international contemporary art magazines worldwide - ArtReview offers a comprehensive guide to the fascinating world of modern art. Giving both established and up-and-coming artists a platform to be seen and heard, ArtReview welcomes all to its educational and eye-opening publication nine times a year.
Each exciting issue features interviews with amazing artists, event and exhibition details, articles from respected art journalists, and a look into the trends and topics that are front and centre of the current contemporary art scene. Providing perspective to the personalities that are making the modern landscape their own, ArtReview brushes shoulders with all kinds of artists and helps you better appreciate them, their art, and the meaning behind their fascinating work.
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Artikel in dieser Ausgabe
Im Folgenden finden Sie eine Auswahl von Artikeln aus ArtReview April 2022.