BLACK IN FOCUS
AMON WARMANN chews over the main moment in Black film and TV this month
HOW DO WE FRAME BLACK SUFFERING TODAY?
MY DEFAULT REACTION to any film where Black suffering is at the forefront of a narrative is one of weary apprehension. It’s not just about protecting my peace. It’s about what that suffering is adding — or not adding — to the culture at large. Why do we need this story in 2022? What purpose is it serving? With the releases of Till, a civil-rights biopic that revisits a racist atrocity and its aftermath, and Will Smith-fronted drama Emancipation, based on the life of ‘Whipped Peter’, a slave who fought in the Union Army, these are questions that have been on my mind yet again.