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Dancing Times Magazine November 2016 Edição anterior

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42 Comentários   •  English   •   Art & Photography (Art)
This issue of Dancing Times sees the first in a series of extracts taken from the unpublished memoirs of the ballerina Nadia Nerina, beginning with her description of the creation of Frederick Ashton’s masterpiece, La Fille mal gardée, for which she was the first-cast Lise, and which has recently been revived by The Royal Ballet at the start of its 2016–17 season. Written before her death in 2008, and reproduced by kind permission of her estate, Nerina’s memoirs describe her early life in South Africa and her wonderful career during the 1950s and 1960s. In future issues we hope to publish her recollections of appearing with the Bolshoi and Kirov Ballets in the Soviet Union in 1960, as well as her celebrated performances with The Royal Ballet.
Also this month, we take a look at the thorny issue of the copyright of dance works, meet two new Strictly Come Dancing professionals, Neil and Katya Jones, highlight a fascinating new exhibition at Stockholm’s Dansmuseet on black dance in Paris in the 1920s, talk to our Dancer of the Month, The Royal Ballet’s Reece Clarke, and record some of the wonderful moments in One Dance UK’s Together for Dance fundraising gala.
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Dancing Times

November 2016 This issue of Dancing Times sees the first in a series of extracts taken from the unpublished memoirs of the ballerina Nadia Nerina, beginning with her description of the creation of Frederick Ashton’s masterpiece, La Fille mal gardée, for which she was the first-cast Lise, and which has recently been revived by The Royal Ballet at the start of its 2016–17 season. Written before her death in 2008, and reproduced by kind permission of her estate, Nerina’s memoirs describe her early life in South Africa and her wonderful career during the 1950s and 1960s. In future issues we hope to publish her recollections of appearing with the Bolshoi and Kirov Ballets in the Soviet Union in 1960, as well as her celebrated performances with The Royal Ballet. Also this month, we take a look at the thorny issue of the copyright of dance works, meet two new Strictly Come Dancing professionals, Neil and Katya Jones, highlight a fascinating new exhibition at Stockholm’s Dansmuseet on black dance in Paris in the 1920s, talk to our Dancer of the Month, The Royal Ballet’s Reece Clarke, and record some of the wonderful moments in One Dance UK’s Together for Dance fundraising gala.


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Dancing Times  |  November 2016  


This issue of Dancing Times sees the first in a series of extracts taken from the unpublished memoirs of the ballerina Nadia Nerina, beginning with her description of the creation of Frederick Ashton’s masterpiece, La Fille mal gardée, for which she was the first-cast Lise, and which has recently been revived by The Royal Ballet at the start of its 2016–17 season. Written before her death in 2008, and reproduced by kind permission of her estate, Nerina’s memoirs describe her early life in South Africa and her wonderful career during the 1950s and 1960s. In future issues we hope to publish her recollections of appearing with the Bolshoi and Kirov Ballets in the Soviet Union in 1960, as well as her celebrated performances with The Royal Ballet.
Also this month, we take a look at the thorny issue of the copyright of dance works, meet two new Strictly Come Dancing professionals, Neil and Katya Jones, highlight a fascinating new exhibition at Stockholm’s Dansmuseet on black dance in Paris in the 1920s, talk to our Dancer of the Month, The Royal Ballet’s Reece Clarke, and record some of the wonderful moments in One Dance UK’s Together for Dance fundraising gala.
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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Dancing Times

I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Revisto 15 agosto 2020

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Amazing product and is so lovely to read about our current dancers and choreographers!! Revisto 28 janeiro 2019

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