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Dancing Times Magazine October 2013 Edição anterior

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42 Comentários   •  English   •   Art & Photography (Art)
As Dancing Times enters its 104th year of continuous publication, we thought it high time to give the magazine a bit of a “makeover”, so welcome to the first issue of our “new look”. We hope you like what you see and read, and look forward to any comments and suggestions you may have.
As you will notice, all our regular favourites remain as before, as does our extensive array of news, views and reviews covering all aspects of dance. This month, we give just a flavour of the many pictures found in Andrej Uspenski’s photographic portrait of the Russian ballerina Natalia Osipova in Becoming a Swan, published by Oberon Books; Zoë Anderson talks to dancer Jonathan Goddard about his forthcoming appearances as Count Dracula; and Laura Dodge takes a behind-the-scenes look at English National Ballet’s costume department as they prepare for its new production of Le Corsaire. Also this month, dancer and choreographer Matthew Hawkins reveals what is like to be on the receiving end of a review from a dance critic. Finally, we would like to inform you that Dancing Times is now available in over 150 branches of WH Smith – contact us if you would like to find out where.
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Dancing Times

October 2013 As Dancing Times enters its 104th year of continuous publication, we thought it high time to give the magazine a bit of a “makeover”, so welcome to the first issue of our “new look”. We hope you like what you see and read, and look forward to any comments and suggestions you may have. As you will notice, all our regular favourites remain as before, as does our extensive array of news, views and reviews covering all aspects of dance. This month, we give just a flavour of the many pictures found in Andrej Uspenski’s photographic portrait of the Russian ballerina Natalia Osipova in Becoming a Swan, published by Oberon Books; Zoë Anderson talks to dancer Jonathan Goddard about his forthcoming appearances as Count Dracula; and Laura Dodge takes a behind-the-scenes look at English National Ballet’s costume department as they prepare for its new production of Le Corsaire. Also this month, dancer and choreographer Matthew Hawkins reveals what is like to be on the receiving end of a review from a dance critic. Finally, we would like to inform you that Dancing Times is now available in over 150 branches of WH Smith – contact us if you would like to find out where.


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Dancing Times  |  October 2013  


As Dancing Times enters its 104th year of continuous publication, we thought it high time to give the magazine a bit of a “makeover”, so welcome to the first issue of our “new look”. We hope you like what you see and read, and look forward to any comments and suggestions you may have.
As you will notice, all our regular favourites remain as before, as does our extensive array of news, views and reviews covering all aspects of dance. This month, we give just a flavour of the many pictures found in Andrej Uspenski’s photographic portrait of the Russian ballerina Natalia Osipova in Becoming a Swan, published by Oberon Books; Zoë Anderson talks to dancer Jonathan Goddard about his forthcoming appearances as Count Dracula; and Laura Dodge takes a behind-the-scenes look at English National Ballet’s costume department as they prepare for its new production of Le Corsaire. Also this month, dancer and choreographer Matthew Hawkins reveals what is like to be on the receiving end of a review from a dance critic. Finally, we would like to inform you that Dancing Times is now available in over 150 branches of WH Smith – contact us if you would like to find out where.
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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Dancing Times

I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Revisto 15 agosto 2020

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Amazing product and is so lovely to read about our current dancers and choreographers!! Revisto 28 janeiro 2019

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