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The Artist Magazine August 2016 Back Issue

English
212 Reviews   •  English   •   Art & Photography (Art)
Only $5.99
Welcome to our August issue in which we focus on pure watercolour painting techniques with Ian Sidaway and David Poxon, sketching and which papers to choose by David Parfitt and Glen Scouller, pigment choices and colour mixing with Soraya French and Julie Collins, and how to achieve the impression of light and shade in your pastel landscapes by Robert Dutton. Oil painters will be inspired by an illuminating insight into Scottish artist Charles Jamieson's approach and working methods, Penny German's advocacy of a daily oil painting, and Adebanji Alade's top tips for improving your techniques. If perspective intimidates you, Jo Quigley explains how to simplify this complex subject and puts her ideas into practice in a street scene demonstration in acrylics. We start a new series in which Ann Witheridge advises on how to improve your figure painting, plus we have features on how to create an imaginative mixed media still life, why you should store your unresolved paintings, how to limit your losses when creating prints, and more!
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The Artist

August 2016 Welcome to our August issue in which we focus on pure watercolour painting techniques with Ian Sidaway and David Poxon, sketching and which papers to choose by David Parfitt and Glen Scouller, pigment choices and colour mixing with Soraya French and Julie Collins, and how to achieve the impression of light and shade in your pastel landscapes by Robert Dutton. Oil painters will be inspired by an illuminating insight into Scottish artist Charles Jamieson's approach and working methods, Penny German's advocacy of a daily oil painting, and Adebanji Alade's top tips for improving your techniques. If perspective intimidates you, Jo Quigley explains how to simplify this complex subject and puts her ideas into practice in a street scene demonstration in acrylics. We start a new series in which Ann Witheridge advises on how to improve your figure painting, plus we have features on how to create an imaginative mixed media still life, why you should store your unresolved paintings, how to limit your losses when creating prints, and more!


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The Artist  |  August 2016  


Welcome to our August issue in which we focus on pure watercolour painting techniques with Ian Sidaway and David Poxon, sketching and which papers to choose by David Parfitt and Glen Scouller, pigment choices and colour mixing with Soraya French and Julie Collins, and how to achieve the impression of light and shade in your pastel landscapes by Robert Dutton. Oil painters will be inspired by an illuminating insight into Scottish artist Charles Jamieson's approach and working methods, Penny German's advocacy of a daily oil painting, and Adebanji Alade's top tips for improving your techniques. If perspective intimidates you, Jo Quigley explains how to simplify this complex subject and puts her ideas into practice in a street scene demonstration in acrylics. We start a new series in which Ann Witheridge advises on how to improve your figure painting, plus we have features on how to create an imaginative mixed media still life, why you should store your unresolved paintings, how to limit your losses when creating prints, and more!
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The UK’s best practical art magazine for aspiring amateur and professional artists - since 1931. Well-known artists reveal their working practices and techniques, covering all subjects and media, in every issue. Learn how established and up-and-coming artists create their work and use the tips they provide to help you improve your own drawing and painting. Keep up to date with the latest art materials, tried and tested by our trusted panel of expert artists, and keep in touch with the latest art competitions to enter and must-see exhibitions. Learn how other artists make money from their work, join one of our practical workshops/holidays, and don’t miss out on the latest art news and views.

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The Artist

I would like to see more articles about acrylics
Reviewed 10 June 2022

The Artist

Delighted to see The Artist magazine now with a new digital receptive audience with Pocketmags. Yet more artists will be able to hear about the inspirational articles I contribute to. All progressive, all intuitive and all inclusive. Excellent idea and forward thinking! Reviewed 04 January 2021

The Artist

I enjoy the range of subjects. The magazine always gives me ideas for my own paintings. I also like that it keeps me up to date with new products and I particularly like the book reviews. Reviewed 26 August 2020

The Artist

varied content , Reviewed 14 July 2020

The Artist

For me there is to much of a focus on watercolour painting; I would like mor3 material on oil painting Reviewed 11 July 2020

Articles in this issue


Below is a selection of articles in The Artist August 2016.

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