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ArtReview Asia Magazine Summer 2022 Back Issue

English
0 Reviews   •  English   •   Art & Photography (Art)
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In ArtReview Asia’s Summer issue: London-based filmmaker Lawrence Lek’s enduring preoccupation with what it means to be ‘alive’; the stories told around Indian Partition, whose 75th anniversary approaches; the production of outsider anime director Masaaki Yuasa, whose latest genre-deconstructing film, Inu-Oh, has just been released; the nature and influence of diasporic living on artists of Philippine heritage, including Carlos Villa, Paul Pfeiffer and Josh Kline; the histories of collective practice in Indonesia and the ways in which they have shaped the trajectory of the country’s artists today; and an artist project by Chicago-based Xu Guanyu. Also in the issue, previews from around the world, plus book, film and exhibition reviews, including the Biennale of Sydney, Mounira Al Solh in the UK, Ruangsak Anuwatwimon in Bangkok and Uuriintuya Dagvasambuu in New York.
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ArtReview Asia

Summer 2022 In ArtReview Asia’s Summer issue: London-based filmmaker Lawrence Lek’s enduring preoccupation with what it means to be ‘alive’; the stories told around Indian Partition, whose 75th anniversary approaches; the production of outsider anime director Masaaki Yuasa, whose latest genre-deconstructing film, Inu-Oh, has just been released; the nature and influence of diasporic living on artists of Philippine heritage, including Carlos Villa, Paul Pfeiffer and Josh Kline; the histories of collective practice in Indonesia and the ways in which they have shaped the trajectory of the country’s artists today; and an artist project by Chicago-based Xu Guanyu. Also in the issue, previews from around the world, plus book, film and exhibition reviews, including the Biennale of Sydney, Mounira Al Solh in the UK, Ruangsak Anuwatwimon in Bangkok and Uuriintuya Dagvasambuu in New York.


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ArtReview Asia issue Summer 2022

ArtReview Asia  |  Summer 2022  


In ArtReview Asia’s Summer issue: London-based filmmaker Lawrence Lek’s enduring preoccupation with what it means to be ‘alive’; the stories told around Indian Partition, whose 75th anniversary approaches; the production of outsider anime director Masaaki Yuasa, whose latest genre-deconstructing film, Inu-Oh, has just been released; the nature and influence of diasporic living on artists of Philippine heritage, including Carlos Villa, Paul Pfeiffer and Josh Kline; the histories of collective practice in Indonesia and the ways in which they have shaped the trajectory of the country’s artists today; and an artist project by Chicago-based Xu Guanyu. Also in the issue, previews from around the world, plus book, film and exhibition reviews, including the Biennale of Sydney, Mounira Al Solh in the UK, Ruangsak Anuwatwimon in Bangkok and Uuriintuya Dagvasambuu in New York.
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Founded in 2013 to cover art from the various perspectives at play across the world’s largest continent, ArtReview Asia is dedicated to challenging established views and exploring the contingent and contested in art. From eastern Turkey to eastern Japan (and everywhere up, down and in between), the magazine looks at gaps and blind spots, charting the ways in which artists are responding to local contexts and the evolving challenges of the present. At its heart, ArtReview Asia is both marking and shaping the pathways of alternative and non-Western art.

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Articles in this issue


Below is a selection of articles in ArtReview Asia Summer 2022.

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