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DANZA&DANZA International Magazine Nov/Dec Edizione posteriore

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Welcome to this digital issue of DANZA&DANZA International, in which you’ll discover many protagonists of the current scene, along with a tribute to Paul Taylor, the great American master who passed away this summer. From this issue new international contributors have joined us and we are very happy with this opening.
From the inner yearnings of a star like Natalia Osipova, who’s always ready for new challenges, to the poetic world of the young Russian choreographer Vladimir Varnava, to the French former étoile Laurent Hilaire one year into his current job as Artistic Director of the Stanislavsky Ballet in Moscow, there’s plenty to pique your interest. We also dig deeper into topics such as the current situation for dance professionals in Tehran, through the words of Iranian choreographer Sina Saberi. Another choreographer on the rise is Christos Papadopoulos, from Greece, whom we met to get to know him better.
A selection of reviews from Italy and across Europe cround off the issue, with the Bolshoi Ballet at La Scala in Milan, Alain Platel’s “Requiem pour L.”, Rome Opera Ballet’s “Sleeping Beauty” in the production by Jean-Guillaume Bart; Angelin Preljocaj’s “Gravity” and Ouramdane’s “Franchir la nuit” from the Biennale de la danse in Lyon. From London come reports on Royal Ballet’s “Mayerling”, “Pure Dance” at Sadler’s Wells; then there’s Sasha Waltz’s “Exodos” in Berlin, alogn with some ideas on what to put under the Christmas tree, and as always the calendars of upcoming performances. Enjoy!
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DANZA&DANZA International

Nov/Dec Welcome to this digital issue of DANZA&DANZA International, in which you’ll discover many protagonists of the current scene, along with a tribute to Paul Taylor, the great American master who passed away this summer. From this issue new international contributors have joined us and we are very happy with this opening. From the inner yearnings of a star like Natalia Osipova, who’s always ready for new challenges, to the poetic world of the young Russian choreographer Vladimir Varnava, to the French former étoile Laurent Hilaire one year into his current job as Artistic Director of the Stanislavsky Ballet in Moscow, there’s plenty to pique your interest. We also dig deeper into topics such as the current situation for dance professionals in Tehran, through the words of Iranian choreographer Sina Saberi. Another choreographer on the rise is Christos Papadopoulos, from Greece, whom we met to get to know him better. A selection of reviews from Italy and across Europe cround off the issue, with the Bolshoi Ballet at La Scala in Milan, Alain Platel’s “Requiem pour L.”, Rome Opera Ballet’s “Sleeping Beauty” in the production by Jean-Guillaume Bart; Angelin Preljocaj’s “Gravity” and Ouramdane’s “Franchir la nuit” from the Biennale de la danse in Lyon. From London come reports on Royal Ballet’s “Mayerling”, “Pure Dance” at Sadler’s Wells; then there’s Sasha Waltz’s “Exodos” in Berlin, alogn with some ideas on what to put under the Christmas tree, and as always the calendars of upcoming performances. Enjoy!


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DANZA&DANZA International  |  Nov/Dec  


Welcome to this digital issue of DANZA&DANZA International, in which you’ll discover many protagonists of the current scene, along with a tribute to Paul Taylor, the great American master who passed away this summer. From this issue new international contributors have joined us and we are very happy with this opening.
From the inner yearnings of a star like Natalia Osipova, who’s always ready for new challenges, to the poetic world of the young Russian choreographer Vladimir Varnava, to the French former étoile Laurent Hilaire one year into his current job as Artistic Director of the Stanislavsky Ballet in Moscow, there’s plenty to pique your interest. We also dig deeper into topics such as the current situation for dance professionals in Tehran, through the words of Iranian choreographer Sina Saberi. Another choreographer on the rise is Christos Papadopoulos, from Greece, whom we met to get to know him better.
A selection of reviews from Italy and across Europe cround off the issue, with the Bolshoi Ballet at La Scala in Milan, Alain Platel’s “Requiem pour L.”, Rome Opera Ballet’s “Sleeping Beauty” in the production by Jean-Guillaume Bart; Angelin Preljocaj’s “Gravity” and Ouramdane’s “Franchir la nuit” from the Biennale de la danse in Lyon. From London come reports on Royal Ballet’s “Mayerling”, “Pure Dance” at Sadler’s Wells; then there’s Sasha Waltz’s “Exodos” in Berlin, alogn with some ideas on what to put under the Christmas tree, and as always the calendars of upcoming performances. Enjoy!
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Danza&Danza is the leading Italian dance magazine. Dedicated to ballet and dance since 1986 and published in Milan, it offers bimonthly interviews with dance stars, news from the Italian dance scene, reviews and features on ballet and contemporary dance plus a shopping section. The Danza&Danza International edition is not simply a translation of the Italian magazine (print and digital), it has been created with an international audience mind. An edition for anyone who wants to find out more about great Italian theatres and festivals. Includes multimedia contents exclusively available on the app.

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