DANZA&DANZA International  |  November/December  
In the last issue of the year we meet Marion Barbeau, a polyedral and brave sperimenter Principal dancer at the Paris Opera Ballet. She is preparing for two new film roles and a number of contemporary dance projects. A report from the last edition of the Cagliari-based Italian Dance Platform complete with reflections.
Among the events of the autumn in Italy, the Reggio Parma Festival welcomes Maguy Marin, her repertoire and the long-awaited new creation, whose sources of inspiration we asked about. After writing his own success story, Michele Merola continues to inspire with the acquisition of titles for his company. Next up is “Grosse Fugue” by Maguy Marin.
Still in the issue, we meet Igor x Moreno about their searching for the roots of carnivals to transfer into dance in their latest 'Karrasekare' now on tour, our reviews from Italy and abroad include the astonishing "Black Sabbath - The Ballet" staged in Birmingham, the new Kammerballetten programme in Copenhagen, the highlights of the 20th Biennale de la Danse in Lyon, new works by Marcos Morau and Aurélien Bory. An in-depth look at the theme of mystery in contemporary dance takes us on a discovery of gothic postures and magical forces.
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