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More cowbell!
Frequent use of Latin percussion, harmonica and light-hearted lyrics meant War had broken out.
By Jim Irvin.
Combat ready: War with Lonnie Jordan (far left) – “when Eric Burdon left, we started experimenting on-stage and the people dug it.”
WHEN ERIC BURDON & War played London’s Hyde Park in September 1970, the NME ran a rave review headlined “Best Live Band We’ve Ever Seen”. The former Animal may have taken up all the promotional bandwidth – conjuring things like the banned rap PC3, which included the Queen dropping her bloomers to reveal her “burning bush” – but the band was a tight group of friends from South Central LA who knew what they were doing. Reviewer Richard Green predicted imminent superstardom for all. However, just a few months later, blues-freak Burdon suddenly declared his War was over mid-tour, telling reporters their second album, The Black-Man’s Burdon, was “a piece of crap”.