GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
14 MIN READ TIME

ALBUM BY ALBUM

Dire Straits

From a grotty flat in Deptford to ubiquity in the CD era: how these brothers in arms conquered the world

IT’S hard to believe now, but when they first formed in 1977, Dire Straits struggled to get gigs because their brand of liquid blues-rock was considered old hat by the new punk orthodoxy. Within eight years, the tables had turned spectacularly. Not only were Dire Straits the biggest band in the world, they were harbingers of a shiny new digital age, with Brothers In Arms becoming the first album to sell a million copies on CD.

“As a 14-year-old, you dream of playing the guitar in some form or other with other people,” says bassist John Illsley – along with frontman Mark Knopfler, the only ever-present Strait. “But having success, you never really thought about it. So we had to deal with a lot of things quite quickly. I think Mark and I made a pretty good team. We understood a little bit more about life because we both worked in a normal job for a few years.”

Ultimately, superstardom didn’t really suit this band of modest musos and they’ve been pursuing more personal projects since calling time on Dire Straits after just six studio albums. “A lot of people say, ‘Why don’t you get back together again?’ but I’m very happy with it stopping in 1993,” Illsley insists. “We did it exactly the way we wanted and we did it pretty well. I got to play all over the world with some great people, and Mark and I’s friendship survives to this day, which for me is one of the most important things.”

“It’s lovely that people look back on the band with fondness and can still be inspired by it,” adds Guy Fletcher, keyboardist from 1984 onwards. “Songs like ‘Brothers In Arms’ play a big part in people’s lives. When you hear stories of people who have lost loved ones and the music gives them support, you feel a particular kind of warmth that you’ve been a part of that.”

Dire Straits in 1978: (l–r) John Illsley, David Knopfler, Pick Withers, Mark Knopfler
Recording Brothers In Arms in Montserrat, 1984: (l–r) Guy Fletcher, Knopfler, Alan Clark, Terry Williams, Illsley

GIJSBERT HANEKROOT/REDFERNS

DIRE STRAITS

VERTIGO, 1978

The assured debut is an instant smash, thanks largely to the irresistible “Sultans Of Swing”, a Top 10 hit on both sides of the Atlantic JOHN ILLSLEY: I was sharing a rather grotty council flat with David [Knopfler] in Deptford. Early one morning, I found Mark asleep on the floor in the sitting room. We started chatting, and I immediately thought to myself, ‘I’m going to know this chap for quite a long time.’ When we started playing together, I noticed there was a certain style about his playing which was pretty unusual – this rock’n’roll, bluesy picking-type thing, with no plectrum. Mark had played with [drummer] Pick Withers in a band called Brewers Droop, and as soon as he joined the band, it just felt right.

Unlock this article and much more with
You can enjoy:
Enjoy this edition in full
Instant access to 600+ titles
Thousands of back issues
No contract or commitment
Try for 99p
SUBSCRIBE NOW
30 day trial, then just £9.99 / month. Cancel anytime. New subscribers only.


Learn more
Pocketmags Plus
Pocketmags Plus

This article is from...


View Issues
Uncut
Jun-25
VIEW IN STORE

Other Articles in this Issue


In This Issue
Lipstick traces
A “moment of fun discovery” for the young Amy Winehouse , as captured by photographer Charles Moriarty
Kurt and cardie
The holy relics of Nirvana ’s MTV Unplugged performance are coming to London
A Quick One
Peek-a-boo! The latest Ultimate Music Guide brings you
“I went into a kind of trance”
Happy 90th birthday, Terry Riley ! Ahead of a tribute show at the Barbican, Pete Townshend hails the minimalist maestro’s enduring influence
Pin Ups
Music photographer Lawrence Watson pulls some rare and unseen shots from his archive, in aid of Rethink Mental Illness
Strange life
Spiral Stairs and director Alex Ross Perry unpack the initially confusing but ultimately poignant new Pavement film
Index For Working Musik
WE’RE NEW HERE
ON THIS MONTH’S CD
UNCUT and The Doors present...
JIM KELTNER
AN AUDIENCE WITH...
STEREOLAB Instant Holograms On Metal Film
DUOPHONIC UHF DISKS/WARP
PETE SHELLEY
Homosapien/XL-1(reissues, 1981, 1983)
SUFJAN STEVENS
Carrie & Lowell (10th Anniversary Edition)
OLD TIME FEELING
The antique spirit of SG GOODMAN ’s songs stays true to her Kentuckian roots, but she finds substance in modern, smalltown minutiae. In between tales of gardening with octogenarians, driving trucks as a 12-year-old and cutting one’s hair ‘by the signs’, she explains why her new album is inspired by ancient pagan practices of living by the phases of the moon. “This belief is meant to have action behind it,” she tells an intrigued Stephen Deusner over lunch at Rudy’s On The Square, “and not just feelings.”
BEYOND SAVAGE
Essential SG Goodman
“BIG POWER, BIG VULNERABILITY”
WILL OLDHAM – who duets on Planting By The Signs – on recording with SG
HAPPY TALK
The journey from “man in a cabin, sad bastard” to Grammy awards, stadium tours and the veneration of his peers has brought Justin Vernon success as BON IVER – but it came at a price. Yet a new album finds him in uncharacteristically positive and upbeat mood. What changed? “I started to feel like I don’t want to play this character any more,” discovers Laura Barton. “This is the new era for Bon Iver.”
AND JUSTIN FOR ALL
Side projects and collabs
MAGICAL THINKING
Illuminated by the psychedelic Merseybeat of brothers JOHN and MICHAEL HEAD , SHACK were the cult band’s cult band before addiction, misfortune and disappointment waylaid them. In the time since, their music – and legend – has grown in stature. As the band ready for their first tour in over 15 years, we hear how sobriety, family and chemistry have played a part in their unexpected reunion. “It’s natural,” they tell Tom Pinnock. “It’s beautiful.”
“Purple Rain”
A live recording at a local benefit show results in the signature tune from a career-defining album and movie
BEYOND SUNSET
Sixty years on since THE DOORS formed in Los Angeles, John Densmore and Robby Krieger celebrate 10 of their greatest songs – freeway-haunting jams and psychedelic epics, raunchy blues, pop departures and more that remind them of good times and bad. “We were proud to break that three-minute barrier,” they tell Peter Watts
MAPS & LEGENDS
Forty years ago, R.E.M. travelled to London to make their third album, Fables Of The Reconstruction . A cryptic record, rooted in the mythology, history and geography of the rural American South, it arrived in difficult circumstances – yet it played a critical role in the band’s transformation from lively and mysterious post-punk outfit to concerned and influential rock band. In candid and revelatory interviews, MICHAEL STIPE , PETER BUCK and MIKE MILLS shine new light on their early years. “By the time we got to Fables , we were all crazy, to one degree or another,” hears Michael Bonner
SACRED MUSIC
MICHAEL SHANNON and JASON NARDUCY reveal all about their Fables… tour. “It’s not a cover band,” insists superfan Michael Stipe. “It’s much greater than that!”
PEOPLE HAVE THE POWER: A CELEBRATION OF PATTI SMITH
Carnegie Hall, New York, March 26
JOHN CALE
Royal Festival Hall, London, March 21
SCREEN
Nic Cage loses it (again) down under; an Icelandic composer’s elegy for lost love; reunited brothers bond over brass; more…
LEAD BELLY: THE MAN WHO INVENTED ROCK & ROLL WIENERWORLD
8/10
BOOKS
Outta space: Joe Meek with The Tornados at
Not Fade Away
Fondly remembered this month...
Feedback
Send your brickbats, bouquets, reminiscences, textual critiques, billets-doux and all forms of printable correspondence to letters@uncut.co.uk
Crossword
ROUGH TRADE
Marc Ribot
Tom Waits’ go-to guitarist on his journey through blues, punk, jazz and beyond: “The musicians are caught up in a ritual”
Editorial
UNCUT
“Pay for your freedom/Find another gate” On
Masthead
Uncut
Kelsey Media, The Granary Downs Court, Yalding Hill,
Chat
X
Pocketmags Support