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DREAM WORLD

THERE WAS A MOMENT IN THE 90S WHEN BOTH THE SUPERCLUBS AND THE AIRWAVES WERE HELD IN A DREAMLIKE STATE AT THE FEET OF A SMALL GROUP OF SUPERSTAR DJS THAT SPUN THE SORT OF RECORDS SO EUPHORIC THAT ALL ELSE MEANT NOTHING CLASSIC POP INVESTIGATES HOW TRANCE WENT FROM TINY CULT TO WORLD-CONQUERING PHENOMENON…

Trance pioneer Paul van Dyk began his DJ career in Berlin, influenced by UK synth-pop
Naki/Redferns

Easter weekend 1999. Superclub Gatecrasher have taken over Sheffield’s Republic nightclub. In this converted warehouse, a thousand fluorescently clad loons are ‘avin’ it very large indeed. The cavernous main room, an ecstasy-fuelled disco-ball cathedral, is writhing with ‘Crasher Kids, Britain’s latest youth micro-cult.

Men’s hair is teased into miniature spikes, multi-coloured, women are cowgirls, bunny girls, bikini-robot seductresses, their cheeks neon-slashed with face-paint, everywhere bright gloves, yellow Gatecrasher-logo chokers. The favoured dress-code is akin to lysergic toddler-wear, the cartoonified bricolage of rave, baby pacifiers, whistles, soft toys attached to clothing, pilot goggles, and always, always those tell-tail wild black pupils. Everyone is dancing to a purpose.

That purpose is the music of the moment – trance – spun by resident DJ Scott Bond. It’s a pumping, drug-friendly amalgam of bangin’ kick drums, gated string effects, arpeggiated synth sequences, emotive minor-key harmonics, cod-Celtic atmospherics and, vitally, giant melodic breakdowns that send narcotised serotonin receptors through the roof.

All across the Midlands and the North, trance has gone nuts, the dusk-‘til-dawn staple of superclubs such as Cream in Liverpool, Godskitchen in Birmingham, and The Emporium in Coalville. After a decade brewing in various countries, trance is allconquering, its success reflected by 1999’s singles chart, ranging from the preposterous Braveheart-sampling Protect Your Mind (For The Love Of A Princess) by DJ Sakin & Friends to the punchier Better Off Alone by DJ Jurgen presents Alice Deejay, a No.2 hit. Every week of the year, the Top 20 is rife with the stuff, with smashes by Paul van Dyk, Chicane, Mike Koglin, Planet Perfecto, Ayla, Agnelli & Nelson, System F, Gouryella, Binary Finary, and many more. It was not always thus. Trance’s gestation was convoluted...

SEEKING PARADISE 

Haad Rin Beach, Thailand, autumn 1992. A melee of tanned traveller-hippies in fishermen’s ‘pants’ and tie-dye jiggle as the sun rises over the monthly Full Moon Party. A couple make love in the surf. Everyone’s off their nuts on grass, acid, booze and over-the-counter speed. The music is a tropics-friendly concatenation of house and techno. At this point in time, those two genres are the only options.

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Classic Pop Presents
90s Dance
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In This Issue
WELCOME
@ClassicPopMag Iwas a tad green to have been
MADONNA
THE SECOND COMING
ROOTS OF 90S DANCE
BEATS INTERNATIONAL
THE 90S WAS A DECADE DEFINED BY HOUSE BANGERS, BLISSED-OUT  BEATS AND DEEP DROPS, BUT THESE CONCENTRIC WAVES OF SOUND  WERE BEGUN MUCH EARLIER IN CHICAGO, DETROIT, DÜSSELDORF, NEW  YORK AND LONDON. WE EXAMINE THE ROOTS OF THE DANCE TAKEOVER…
CLASSIC ALBUM
SCREAMADELICA
PRIMAL SCREAM
THE WHITE ROOM THE KLF
SUBSIDISED WITH THE PROCEEDS OF AN 80S NOVELTY HIT, THE ECCENTRICITIES, VISION AND AMBITION OF TWO MUSICAL MAVERICKS WITH A TASTE FOR ACID HOUSE AND ANARCHY RESULTED IN ONE OF THE FINEST DANCE-POP ALBUMS OF THE 90s…
THE ORB’S ADVENTURES BEYOND THE ULTRAWORLD
THE ORB
BLUE LINES
MASSIVE ATTACK
DEBUT
BJÖRK
DUBNOBASSWITHMYHEADMAN
UNDERWORLD
LEFTISM
LEFTFIELD
ENDTRODUCING.....
DJ SHADOW
HOMEWORK
DAFT PUNK
MOON SAFARI
AIR
PLAY MOBY
MOBY WAS ON THE VERGE OF PACKING IT ALL IN WHEN ALAN LOMAX’S ICONIC DELTA RECORDINGS INSPIRED HIM TO CREATE A SET OF BLISSED-OUT ELECTRONICA WITH THOSE INCREDIBLE, HISTORICAL VOCALS AS ITS FOUNDATION. REGARDLESS, PLAY UNIVERSALLY FELL ON DEAF EARS, UNTIL – OUT OF SHEER DESPERATION – HE TURNED TO ADVERTISING…
REMEDY
BASEMENT JAXX
THE PRODIGY
VOODOO PEOPLE
THE PRODIGY COULD SO EASILY HAVE BEEN  ONE-HIT NOVELTY TECHNO WONDERS, BUT THEY  BECAME ONE OF THE BIGGEST BANDS IN THE  WORLD. CLASSIC POP EXAMINES HOW SWAPPING  RAVE FOR GRUNGE AND REGGAE HELPED THE  PROVOCATEURS MOVE ON FROM PUBLIC  INFORMATION FILMS TO HEADLINING FESTIVALS
FATBOY SLIM
CELEBRATE YOU BABY!
BORN OF BRIGHTON AFTER-PARTIES AND STUFFED WITH SAMPLES ARTFULLY LIFTED FROM THE ENVIABLE RECORD COLLECTION OF A TRUE VINYL MAGPIE, FATBOY SLIM’S ALL-CONQUERING 1998 RELEASE WAS A BIG BEAT CLASSIC THAT REVOLUTIONISED DANCE MUSIC…
S’EXPRESS
SUPER SONIC LOVERS
A FORMER TROUBLED KID SAVED BY DJING BEFORE  TRANSFORMING HIMSELF INTO A DAYGLO SUPERSTAR,  MARK MOORE’S MUSIC WITH S’EXPRESS WAS EQUALLY  COLOURFUL – UNTIL HE HAD TO MAKE AN ALBUM. NOW  HAPPIER BACK ON THE UNDERGROUND SCENE, MARK  EXPLAINS THE BIZARRE RISE AND SUDDEN DISAPPEARANCE  OF THE ULTIMATE CARTOON BAND…
MINISTRY OF SOUND
THE SPEED OF SOUND
RAVE CULTURE MAY HAVE BEEN  DEAD AT THE HANDS OF THE TORY  GOVERNMENT IN THE EARLY 90S, BUT  A SERIES OF SUPERCLUBS, SPEARHEADED  BY THE MIGHTY MINISTRY OF SOUND,  WERE ABOUT TO GIVE DANCE MUSIC  A NEW LEASE OF LIFE
WHEN DANCE WENT POP
PEOPLE HOLD ON
WHAT SEEMED LIKE A MASSIVE COUNTER- CULTURAL MOVEMENT AT THE DAWN OF THE 90S, DANCE MUSIC EMERGED INTO BEING THE DRIVING FORCE FOR POP MUSIC OVER THE NEXT DECADE . WE HAVE A LOOK AT HOW DANCE MUSIC REINVIGORATED POP MUSIC – AND VICE VERSA…
THE CHEMICAL BROTHERS
BROTHER'S GONNA WORK IT OUT...
FROM PLAYING RECORDS IN GROTTY PUBS TO BECOMING ONE OF THE GREATEST LIVE SPECTACLES OF ALL TIME, THE CHEMICAL BROTHERS REMAIN GIANTS OF DANCE MUSIC. 30 YEARS ON, THEY’VE AMASSED NO.1 SINGLES AND ALBUMS AND COUNTLESS AWARDS. WE CHART THE GIDDY RISE (AND RISE) OF THE SUPERSTAR DJS’ FIRST DECADE
BILLIE RAY MARTIN
ELECTRIBE 101, RAVE’S GREATEST CULT, WERE FORMED WHEN GERMAN SINGER BILLIE RAY MARTIN ASSEMBLED FOUR BANDMATES VIA A SMALL AD. HER SOULFUL VOICE PLUS PULSATING ELECTRO MADE FOR A PERFECT CONTRAST, BUT THEY SPLIT AFTER ALBUM NO.2 WENT UNRELEASED. NOW, IT’S ABOUT TO BE REVISITED…
TOP 40
TOP 40 90'S DANCE ESSENTIAL PLAYLIST
You couldn’t move for the sheer number of
EURODANCE
EURO BEAT
IT WAS A GLOBAL PHENOMENON THAT SWEPT THE CONTINENT AND BEYOND, STORMING THE CHARTS AND CRAMMING DANCEFLOORS WITH BIG BEATS – AND A CERTAIN KITSCHNESS. CLASSIC POP TRACKS THE INCREDIBLE RISE, REIGN, FALL AND REBIRTH OF EURODANCE
THE BRISTOL SOUND
HOW THE WEST WAS WON
THE BRISTOL SOUND IS A MELTING POT OF GENRES THAT REFLECTS THE CITY’S VARIED  CULTURAL CORNERSTONES – AND IN THE 90s,  IT BECAME A WORLD-BEATING BRAND…
THE BELOVED
SWEET HARMONIES
THE BELOVED STARTED AS “A LITTLE INDIE BAND FROM  CAMBERWELL”, DISCOVERED HOUSE MUSIC AND MADE THE  ULTIMATE RAVE-POP CROSSOVER ALBUM. READY WITH  THEIR FIRST NEW MUSIC IN OVER 20 YEARS, JON MARSH  EXPLAINS WHY THE SUN TOOK SO LONG TO RISE AGAIN
Q&A
PAUL HARTNOLL
FROM THE CLOSE CAMARADERIE OF THE UK’S EARLY DANCE MUSIC SCENE TO MAJOR MOVIE SOUNDTRACK WORK TO SUFFERING FROM NERVES AT GLASTONBURY, ONE HALF OF ORBITAL SHOWS US BEHIND THE SCENES
MIKE PICKERING
HE WAS THE CREATIVE FORCE BEHIND M PEOPLE, AND THE LEGENDARY A&R MAN WHO SIGNED THE LIKES OF CALVIN HARRIS, BLACK BOX, KASABIAN AND HAPPY MONDAYS. CLASSIC POP MEETS ONE OF THE DECADE'S GENUINE PIONEERS
SKINT RECORDS
BEACH BOYS
LED BY A BASSIST WITH A HUGE RECORD COLLECTION AND A KNACK  FOR HIT ASSEMBLY, BIG BEAT BOUNDED OUT OF BRIGHTON TO  DELIVER A RUN OF RECORDS THAT SHIFTED THE COURSE OF DANCE  MUSIC AND CREATED YET ANOTHER DELECTABLE HYBRID. CLASSIC POP CHATS TO SKINT RECORDS BOSS DAMIAN HARRIS
WARP RECORDS
NORTH POLES
IT WAS A DECADE IN WHICH A GROWING ARMY OF FACELESS TECHNO ACTS COULD SUDDENLY MAKE  MUSIC ON CHEAP SYNTHS AND DRUM MACHINES. AS DANCE MUSIC BEEPED AND BLEEPED TO THE FORE, WARP BECAME A BEACON FOR THEM, SWEEPING UP THE BEST AND LAUNCHING THE CAREERS OF MANY A SEMINAL NAME, NOT TO MENTION THE VERY GENRES IN WHICH THEY OPERATED…
CLASSIC POP MOMENT
THE RAVE TO END ALL RAVES
CASTLEMORTON COMMON FESTIVAL  22-29 MAY 1992
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