Post Script
Sword art offline
Like its predecessor, Kingdom Come: Deliverance II is marketed not only as a medieval RPG, but a historically accurate one. From its meticulous recreation of an early 15th-century city to its voluminous codex that references and elaborates upon characters, locations, and ideas depicted in-game, it strives to demonstrate how its world and story is built upon the unyielding pillars of the past.
There’s little question that the game’s Bohemian setting is extensively researched. But still, historical accuracy is a dangerously elusive target, especially when approached with an absolutist mindset. This has led to numerous fiery arguments about the series’ depiction of history, from its representation of women and the first game’s lack of non-white characters to the sequel’s inclusion of a black character, Musa of Mali, as well as depictions of homosexuality.