L ife’s too short to waste time on things you don’t absolutely love,” says Nnamdi Asomugha’s saxophonist to Tessa Thompson’s wannabe TV producer in Eugene Ashe’s second feature, itself a love-letter to classic Hollywood romances. Despite the unpromising title, this is certainly no time-waster – the two leads share a magnetic chemistry that overcomes the sometimes schematic plotting, with Declan Quinn’s handsome cinematography and a pitchperfect soundtrack casting an irresistible spell. Submit to its soft-centred charms and it might just sweep you off your feet.