TRIBULATION
Where The Gloom Becomes Sound
Sweden’s lords of gothic grandeur put more swish into their capes
Tribulation enjoy the view from rock’s top tier
CENTURY MEDIA
WHEN GHOST HIT in 2010, all corpsepaint and papal rags, you didn’t expect them to sound like… that. You expected this. Tribulation’s fifth record follows a similar cryptic lineage to their fellow Swedes, with a key difference: the vocals. Johannes Andersson has one setting – he grunts like a death metal Lemmy reciting Poe. It’s something he’s clung onto since the band’s pungent beginnings as Morbid Angel worshippers, and fuck you, he’s not stopping now.