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The Strad
April 2025
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Other Articles in this Issue


The Strad
Soundpost
Letters, emails, online comments
Editorial
Editor’s Letter
By Emma Baker
FRONT
New Products
The latest products for string players
Life lessons
The memories and opinions of German cellist Maximilian Hornung
Postcard from Heidelberg
The 20th anniversary of the city’s String Quartet Festival
FEATURES
Arabella Steinbacher
The German violinist’s latest album pairs Beethoven’s Violin Concerto with a new work written for her by Georges Lentz. Pauline Harding finds out more
Concert Works by Screen Composers
From Erich Wolfgang Korngold to Hildur Guðnadóttir, Rita Fernandes looks at the concert pieces by composers better known for their work writing for the movies
Makers of Markneukirchen
Although the German town is best known for its production-line instruments, much of its output leaned towards the high-end market, as Bruce Babbitt explains
Session Report
Adrian Butterfield and Gavin Kibble of the London Handel Players talk to Robin Stowell about the group’s latest album of quartets by Telemann
Advice from peers
String players’ musical education lasts long after their time at conservatoire. Charlotte Gardner discovers the best tips they've had from their contemporaries
REGULARS
In Focus
A 1923 Guarneri copy made by the Berlin-based luthier Michael Dötsch
Trade Secrets
Sharon Que demonstrates her method of wing crack repair using silk
My Space
Bernhard Ritschard of Lübeck
Making Matters
The use of tulipwood
Masterclass
Benjamin Beilman gives his thoughts on performing the first movement of Saint-Saëns’s Violin Concerto no.3
Technique
Double bassist Susan Hagen with tips on how to find one’s individual technique
Reviews: Concerts
A critical round-up of performances
From The Archive
From April 1925
Sentimental Work
Violinist Frank Peter Zimmermann on Schumann’s Violin Concerto
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